Take Flight with Scott Alan Miller: Grand Tour of Europe 2
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@scottalanmiller What microphone and type are you looking at?
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@jmoore said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller What microphone and type are you looking at?
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@jmoore said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller What microphone and type are you looking at?
Looking at this one...
Just a nice USB mic for my desk that will pick up good vocals.
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This one is cheaper and well reviewed, but out of stock for a week.
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@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
Ordering a new microphone to make voice overs better and easier. And looking to attempt switching from OpenShot to KdenLive to see if it is more powerful before the next episode.
You can also try using Davinci Resolve and even Blender
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@Romo said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
Ordering a new microphone to make voice overs better and easier. And looking to attempt switching from OpenShot to KdenLive to see if it is more powerful before the next episode.
You can also try using Davinci Resolve and even Blender
Blender really isn't for video editing. It can, but it's not built for it. It's really more to compete with After Effects. I have it, but would be pretty rough for normal video stuff.
Davinci Resolve is $300 for all the features, and requires so much horsepower, I'm not sure it would even fire up on my machine
I had looked at it, though. -
@Obsolesce haha too funny
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My church started a podcast a while back and I set this up for them.
https://www.audio-technica.com/cms/wired_mics/519ee24228b93e77/index.html -
@jmoore said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
My church started a podcast a while back and I set this up for them.
https://www.audio-technica.com/cms/wired_mics/519ee24228b93e77/index.htmlVery nice. Trying not to spend that much, though
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@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@Romo said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
Ordering a new microphone to make voice overs better and easier. And looking to attempt switching from OpenShot to KdenLive to see if it is more powerful before the next episode.
You can also try using Davinci Resolve and even Blender
Blender really isn't for video editing. It can, but it's not built for it. It's really more to compete with After Effects. I have it, but would be pretty rough for normal video stuff.
Davinci Resolve is $300 for all the features, and requires so much horsepower, I'm not sure it would even fire up on my machine
I had looked at it, though.Resolve is free. Resolve studio is the paid one but I'm pretty sure it's fairly featurefull for free. You don't get things like stereoscopic 3D grading, motion blur effects, team collaboration, etc. But for normal editing it's pretty nice.
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@stacksofplates said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@Romo said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
Ordering a new microphone to make voice overs better and easier. And looking to attempt switching from OpenShot to KdenLive to see if it is more powerful before the next episode.
You can also try using Davinci Resolve and even Blender
Blender really isn't for video editing. It can, but it's not built for it. It's really more to compete with After Effects. I have it, but would be pretty rough for normal video stuff.
Davinci Resolve is $300 for all the features, and requires so much horsepower, I'm not sure it would even fire up on my machine
I had looked at it, though.Resolve is free. Resolve studio is the paid one but I'm pretty sure it's fairly featurefull for free. You don't get things like stereoscopic 3D grading, motion blur effects, team collaboration, etc. But for normal editing it's pretty nice.
I'm about to get a new computer just for editing, so I'll check it out when I have a little more power. I've been watching it a long time and it looks really nice. I thought that there were some key features in paid only, but maybe not. Certainly worth testing.
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@scottalanmiller said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@jmoore said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@scottalanmiller What microphone and type are you looking at?
Looking at this one...
Just a nice USB mic for my desk that will pick up good vocals.
That's pretty horrible stuff for what you want to do.
If you want to record voice-overs you need to have the mic close to your mouth. If it stands on the table and it's a condenser mic, you will pick up everything including when you move or even touch the table. And you'll pick up sound from further away that you didn't intend to get on the recording.
That's why this type of setup is standard:
But if you want something smaller and more agile you could go with a headset that has a good mic. It could do double duty for other things as well
For instance something like this:
Both of the two options above can be found for just little more than the toy microphones you had in mind - if you go with lesser known brands.
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Are the mics really that sensitive that they pickup physical bumps, etc of the table? I've always wondered why the mic is often supported by springs/elastic bands inside those holders.
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@Dashrender said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
Are the mics really that sensitive that they pickup physical bumps, etc of the table? I've always wondered why the mic is often supported by springs/elastic bands inside those holders.
Yes, they are pretty sensitive, some types much more so than others. Mics made for use in live performances are usually less sensitive to handling noise and are not used with shock mounts.
In an office environment you also have other sources of noise that you don't have in a real recording studio - like AC, computer fans, people talking in the other room, cars honking, traffic outside etc.
As you place the mic closer to the sound source (your mouth), you don't need to amplify the sound from the mic as much which makes the background noise also lower in volume.
With a shock mount on an articulated arm you can place the mic exactly where you want it to be and still sit/stand at a desk. And you can easily move it out of the way when you are not using it.
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@Pete-S said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
With a shock mount on an articulated arm you can place the mic exactly where you want it to be and still sit/stand at a desk. And you can easily move it out of the way when you are not using it.
Yes they do pick up a lot of noise that’s why I bought an arm for mine
@Dashrender normal typing sounded like thunder
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@Dashrender said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
Are the mics really that sensitive that they pickup physical bumps, etc of the table? I've always wondered why the mic is often supported by springs/elastic bands inside those holders.
They sure do. It can be really bad.
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@JaredBusch said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@Pete-S said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
With a shock mount on an articulated arm you can place the mic exactly where you want it to be and still sit/stand at a desk. And you can easily move it out of the way when you are not using it.
Yes they do pick up a lot of noise that’s why I bought an arm for mine
@Dashrender normal typing sounded like thunder
@JaredBusch
Is that a Blue Yeti USB mic? I've seen that they, at least in the past, been a popular choice for people wanting a good mic on a budget. -
@Pete-S said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@JaredBusch said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@Pete-S said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
With a shock mount on an articulated arm you can place the mic exactly where you want it to be and still sit/stand at a desk. And you can easily move it out of the way when you are not using it.
Yes they do pick up a lot of noise that’s why I bought an arm for mine
@Dashrender normal typing sounded like thunder
@JaredBusch
Is that a Blue Yeti USB mic? I've seen that they, at least in the past, been a popular choice for people wanting a good mic on a budget.This mic isn't isolated from the stand though... so I'm asking - is that level of isolation really needed? or is the stand enough disconnect from the desk?
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@Dashrender said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@Pete-S said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@JaredBusch said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
@Pete-S said in Take Flight with Scott Alan Miller: Grand Tour of Europe 2:
With a shock mount on an articulated arm you can place the mic exactly where you want it to be and still sit/stand at a desk. And you can easily move it out of the way when you are not using it.
Yes they do pick up a lot of noise that’s why I bought an arm for mine
@Dashrender normal typing sounded like thunder
@JaredBusch
Is that a Blue Yeti USB mic? I've seen that they, at least in the past, been a popular choice for people wanting a good mic on a budget.This mic isn't isolated from the stand though... so I'm asking - is that level of isolation really needed? or is the stand enough disconnect from the desk?
If you want good isolation, one of the isolation mounts would be necessary. I can't see from that picture where the mic stand is actually mounted, probably not on the desk knowing @JaredBusch.
